QUEER REBELS OF THE HARLEM RENAISSANCE(2011)
ABOUT THE SHOW
Slip back into a forbidden era. Re-imagine the Jazz age. Bawdy. Raunchy. Intellectually Stimulating!
Harlem’s queer dandies meet dapper bulldaggers, sultry sirens mingle with soulful crooners; and cinematic truthtellers greet revolutionary poets in riotous splendor. Welcome to our queerest of queer Speakeasy.
From Langston’s dreams deferred to the love affair of the Empress of the Blues; from La Bentley’s tux and tails, to the liberating prose of Richard Bruce Nugent – this is Harlem’s poetic rebellion.
Tonight, Queer Black luminaries commemorate our forgotten legacies. Tonight, we reclaim history and the urgency of our art and activism.
Curated by Celeste Chan and Kali Boyce
July 1st & 2nd (2011)
African American Art & Culture Complex
7pm: food and libations // 8pm: Show
ARTISTS + BIOS
Anna Martine Whitehead uses video, puppets, sound, and movement to address queer, deracinated, disremembered histories. In a range of capacities – including burlesque performer, puppeteer, death metal drummer, lone wolf, and cowboy crooner – Anna Martine has shown and performed at numerous galleries, theatres, and backyards in the Bay Area and beyond (including Southern Exposure, Climate Theatre, SOMArts, and CounterPULSE in San Francisco, the Bronx Museum and Gallery The in New York, The High Museum in Atlanta, and galleri bob in Gothenburg, Sweden). Her work with Jesse Hewit/Strong Behavior recently garnered a Goldie Award in performing arts from the SF Bay Guardian, and her collaborative work has been noted in the San Francisco Chronicle, the New York Times, and LA Weekly. She is a recent graduate of California College of the Arts, with a Masters in Fine Arts, Social Practice.
Brontez Purnell is a writer (Fag School, Maximum Rock n Roll) and musician (Younger Lovers, Gravy Train!!!). Most recently, he debuted “Free Jazz” and his experimental jazz company, Brontez Purnell Dance, at the Berkeley Art Museum this past February to rave reviews. Please welcome him for one night only – July 1st at “Queer Rebels of the Harlem Renaissance.”
After relocating to San Francisco, Stephfon became an active member of the arts community. He performed at Theater Works, SFBoylesque, and Dark Porch Theater; and as a pianist in residency at Martuni’s and the Sheba Lounge. He also took up a torch in the queer artistic community as an artist in residence at the former Mama Calizo’s Voice Factory. During this time, Stephfon created and produced “Limelight: It’s time we faced the music,” which received acclaim for it’s controversial subject matter involving queer people of color and modern minstrelsy. He has performed at The Garage, SF Fringe Festival, SF MOMA, Yerba Buena Center For the Arts, ODC Theater, and Kaleidoscope Cabaret and other venues. Stephfon currently resides in Portland, Oregon where he is currently recording his first album. This spring you can catch him in Portland Center Stage’s production of the Rodger and Hammerstein’s classic Oklahoma, which will feature an all African American cast!
Juba Kalamka is most recognized as co-founder of “homohop” crew Deep Dickollective. He has been a speaker, panelist, and curator for numerous activist concerns, receiving a 2005 Creating Change Award from the National Gay and Lesbian Task Force. Kalamka served as director of the PeaceOUT World HomoHop Festival, which marked its seventh and final year in 2007 and featured in the documentary Pick Up The Mic. He later appeared in Good Vibrations’ G Marks the Spot (2003), Orgasm!: Faces of Ecstasy (2004) and toured with the 2006 Sex Workers Art Show. His second solo recording, Ooogabooga Under Fascism, will be released in Fall 2010 concurrent to his feature in the lyric compendium The Yale Anthology of Rap (Yale University Press). He lives in Oakland with his primary partner of seven years, their daughter, a neurotic standard poodle and a lovemongering lesbian cat. He practices polyamory both locally and globally. www.jubakalamka.com
Griot Noir (Vanessa Rochelle Lewis, Jessica Jordan, and Chanel Timmons) is comprised of three queer, black, femme, and feminist women. They integrate poetry, theatre, movement, and music to create conscientious afrocentric feminist performance art.
In lieu of corporate jobs and/or the academy, oriana bolden makes films, videos, photographs, seriographs and trouble where and whenever she can. Until such time as there is an end to oppression of all peoples of the world, the vast majority of her work centers on people trying to get free. bolden prefers not to identify as a “starving artist,” but, proudly proclaims that she is a (underpaid and overworked) justice-seeking hustler with an artistic flare. Swing by www.projectprojecting.com to see what she is up to at any given moment.
Since 2003, The Lady Ms. Vagina Jenkins has been gracing stages from London, England to Paris, and Kentucky with her sensually charged brand of classic burlesque. The Lady Ms. Vagina Jenkins uses African American vernacular dance, the conventions of vaudeville and lowbrow theatre as well as feminist/ queer performance techniques to create art that defies audience expectations and re-defines the boundaries of the modern art making process. The Lady Ms. Vagina Jenkins has been called “Atlanta’s Best Burlesque Dancer”, a “big, bold and beautiful treasure.” Critics have called her “Sophisticated”, “Complex”, and “Unique.” No matter the adjective, The Lady Ms. Vagina Jenkins is sure to knock your stockings off!
m.a. brooks creates textured landscapes of movement/gesture/text and is interested in reconstructing cultural memories from black, queer and colonized histories. In San Francisco, m. a. has been dancing with aerial dance company, Fly Away Productions, since 2009 and in June of 2010 was granted a Djerassi choreographer’s residency. m. a. also organizes Dirtstar 2011: Take Root! featuring radical perspectives on queer sustainability.